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Larry Wood pick up Polixenia there is a car wash in Boca Raton today please

Boca Raton is a 20
Min drive sAys tennis academy

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Kamoria Lee Zioariyu Yokoro Bok Geffen IV thanks Ashlee and Mary-Kate Olsen for modeling PRADA

somewhere

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Kamoria Lee Zioariyu Yokoro Bok Geffen IV thanks Larry Miss U

somewhere

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Kamoria Lee Zioariyu Yokoro Bok Geffen IV thanks Pres Obama

Still somewhere

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Kamoria Lee Zioariyu Yokoro Bok Geffen IV thanks Pres Obama

Still somewhere

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vogueaustralia:love seeing everyone at Subway Kamoria lee Zioariyu Yokoro Bok Geffen IV

Mary-Kate Olsen, Lauren Hutton and Ashley Olsen at the CFDA awards. See more from the night.
WireImage

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Red Bottoms shoe sized just changed too 11 to 13

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Photography is in a way a mental process. We have to know what to, be clear, on what we want to say. Our conceptions, our, what we think of a certain situation, a certain problem. Photography is a way of writing it, of drawing, making sketches of it.

— INTERVIEW: “Henri Cartier-Bresson - Famous Photographers Tell How (1958)invite me to a talk show or a game in virginia the writer of Pretty Little Lairs I am going that way anyway. Still in hot Florida Polixenia

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did-you-kno:hello beez

Source

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letmypeopleshow:wow

Does Frieze Have a Homeless Problem?
In retrospect, perhaps, it was clear that those shopping carts filled with stuffed plastic bags parked around the grounds at the Frieze art fair, the kind that homeless people push, aren’t really homeless peoples’ carts. That is, they are homeless people’s carts, but they aren’t carts left by homeless people, which surely would have been removed by the staff.
Instead, they are, of course, art—a project staged by two provocateurs, curator Tom Eccles and artist Cristoph Büchel, who bought the carts from homeless people for $350-500 a piece. Each cart is titled 1% (the name of each former owner follows in parentheses)—not only for the “we-are-the-99%-occupy-movement-rhetoric,” as the artist puts it, “but also to that a cart was bought for 1% of the actual art market value.”
Buchel’s gallery, Hauser & Wirth, notes that the carts are a prologue to the Homeless Parade, “an actual parade with homeless people” through New York City that the artist “is working to organize in collaboration with Homeless people, the Sculpture Center, and organizations that support the homeless.”
This particular cart leans against Et tu, Duchamp?, a sculpture by Subodh Gupta, another Hauser & Wirth artist, who recapitulated the Dadaist’s rectified readymade of a Mona Lisa postcard, but in black bronze.
Maybe next someone will come along and cast the carts in bronze, creating yet another venue for exploring issues of exploitation, appropriation, intellectual property, and personal property. But who would have the rights?

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